Recent Work

Originally posted by Digico

DiGiCo_Marriott_show_1-thumbLINCOLNSHIRE, Illinois – November 2014 — The Marriott Theatre in the Chicago suburb of Lincolnshire is the most subscribed musical theatre company in the US, and a new DiGiCo SD7T console is ensuring that its sound is every bit as top rate as the shows that are produced there year-round.

Founded in 1975, The Marriott Theatre sells more than 400,000 tickets a year and has presented more than 165 productions to an estimated eight million people. The venue has received a record 500 Joseph Jefferson Award nominations – Chicago’s highest theatrical honor for artistic achievement.

In addition to the steady stream of musicals that run eight-to-ten weeks each, the company also periodically produces children’s productions in the morning as well as special events, such as concerts from a popular Beatles tribute band. The stage setup is a theatre in-the-round, which sometimes revolves depending upon the production.

Robert Gilmartin, The Marriott Theatre’s resident sound designer, decided that the SD7T would be best for the venue’s needs after conducting research and consulting with other theatrical sound designers and engineers. “We needed something dependable, reliable and multifunction,” explains Gilmartin, who recently made the transition from analog to digital with the new DiGiCo desk supplied by TC Furlong Inc. of nearby Lake Forest, IL.

“Marriott’s Lincolnshire theatre has always counted on superior audio quality, flexibility and ultra reliability for all equipment acquisitions,” says TC Furlong of his company’s long-time client. “DiGiCo punched all three tickets with the SD7T.”

digico_marriott_webGilmartin notes that the console performed flawlessly throughout the entire run of its first 2014/2015 season production, the classic On The Town, which ran from August 13 through October 12. The engineer partly attributes the show’s success to the full month he had to become familiar with the console in the theatre’s rehearsal space before opening night.

“It’s been very smooth; all the preparation and testing really helped,” he explains, adding that Group One Limited’s Matt Larson and theatrical audio consultant Zac Jac Duax spent a productive training day that brought Gilmartin up to speed with the hardware and software.

In addition to requiring a console that could enable a complex theatrical show to be quickly programmed both online and offline, Gilmartin needed a highly capable cast management solution. With singing casts of as many as 32 actors on stage, having enough input channels to accommodate everything was absolutely mission-critical. The SD7T boasts up to 253 input channels, making it something of a theatrical sound designer and engineer’s dream machine.

“Everybody is mic-ed,” says Gilmartin, noting the need for multiple tracks on the console. “We mix manually by hand and bring up one at a time – depending upon who on stage is singing or speaking – which cleans up the audio.” He adds that the SD7T makes it easy for the engineer “to be fast with his fingers” well in advance of each cue.

The orchestra, comprising eight to ten musicians, is located in an enclosed room in back of one of the theatre’s four sections. A glass wall gives the conductor a clear view of the stage.

The SD7T replaced the house’s incumbent all-analog gear – a large console and two side boards, which had been used for special effects and sub mixing. Gilmartin, who has been at the theatre since 2007 – initially as the in-house engineer and promoted soon thereafter to sound designer – is also pleased with the abundance of outputs that the SD7T provides (128 busses plus 32 Matrix busses).

Gilmartin says the best compliment about the capital expenditure came from a gleeful Terry James, The Marriott Theatre’s Executive Producer. Following On The Town’s opening night after a stellar performance, “Terry said, ‘I forgot all about the new board.’”

For smaller productions and performing arts centers, DiGiCo additionally offers the SD10 and SD9T, both of which deliver the same audio performance and similar feature set to the SD7T.

For a complete list of The Marriott Theatre’s upcoming performances, visit www.marriotttheatre.com.

TC Furlong Inc. specializes in live sound rentals and sales for the performance industry. For more info, visitwww.tcfurlong.com.

Originally posted by Lectrosonics PR

BOConnell_SmOperating since the 1950’s, The Second City is an improvisational comedy enterprise, best known as the first ever on-going improvisational theater troupe in the United States. It is known also for the inclusion of live, improvised music during their performances and has served as the training ground for a host of famous alumni including John Belushi, Mike Myers, Bill Murray, Gilda Radner, Tina Fey, Steve Carell, Stephen Colbert, and many more. As part of an upgrade to the facility’s sound reinforcement (SR) systems, the venerable nightspot recently incorporated three Aspen SPN1612 16 input / 12 output audio processors from Rio Rancho, NM-based Lectrosonics.

Lake Forest, IL-based TC Furlong, Inc., which provides audio production services, equipment sales and rentals, and some light installation services, was contracted to handle The Second City’s upgrade. Brian O’Connell, the firm’s Sales Manager who also assumes an integral role in the company’s consulting and system design efforts, discussed the nature of the project and his decisions for implementing three Aspen processors.

“The Second City produces shows with various scenes and songs addressing local, national, and international issues through social and political satire,” O’Connell reports. “Similar in content, the Mainstage provides for a larger, more historical experience while the E.T.C. is a smaller, more intimate room. UP Comedy Club is the newest room at The Second City and is dedicated to producing and presenting a diverse array of programs that include stand-up, sketch, improvisation, podcasts, and other eclectic performances. The house needed a capable sound system that could run unattended much of the time while also providing the reliability and consistency necessary for a venue of this nature. Working with our tech Scott Helmke, we determined that the Lectrosonics Aspen SPN1612 would be the right choice for each of the three rooms.”

O’Connell elaborated, “With eight Earthworks C30/C choir mics over each stage and lots of improvisation during a typical show, we needed very good automixing capabilities, since putting wireless microphone packs on the talent was not an option. In addition to clear, natural sounding audio quality, system reliability was another very important consideration because whatever equipment we deployed, it would be used constantly and for many years to come. My past experience has shown me that Lectrosonics equipment sounds good, is extremely well built, and is designed to last.”

When queried about those system attributes that were particularly noteworthy on The Second City project, O’Connell singled out the Aspen SPN1612’s automixing and audio processing capabilities. “The Lectrosonics Aspen SPN1612 has excellent automixing and loudspeaker management provisions in addition to a very flexible matrix mixer,” he added. “The fact that we could get great automixing, all of the speaker management options we required, and flexible matrix mixing in a solid, well-built product made the Lectrosonics Aspen units a no-brainer choice.”

With the SPN1612’s level of sophistication, it’s not uncommon for questions to arise during the design and implementation phases of a project. On that note, O’Connell was very complimentary of Lectrosonics’ customer and technical support services. “We had some questions early on in the spec phase about how the automixer functions operated and if there was enough processing power to handle everything we wanted to do,” he explained. “As always, the folks at Lectrosonics were extremely helpful. They had us up and running in no time.”

The third phase of The Second City’s upgrade was completed in January of this year and, since that time, O’Connell notes that the Lectrosonics equipment has performed admirably and that the client is very pleased. According to Kyle Anderson, Technical Director for Second City, “the processor allows us to get more out of the microphones and takes some things off the engineer’s plate to be free to mix music and manage various feeds for broadcast and streaming.”

thinwhiteduke-no-textThe Museum of Contemporary Art in Chicago is hosting the only US stop of David Bowie Is—an immersive multi-media exhibit.

The event is co-sponsored by Sennheiser which brought in TC Furlong, Inc. as their local partner.

We were proud to support Sennheiser, the MCA, and the Bowie exhibit by providing theatrical sound design assistance to tailor the equipment and exhibit to the venue.

We also provided technical, logistical, and equipment support for an allied event—a lecture presented by Sennheiser Tonmeister, Gregor Zielinsky, discussing and demonstrating audio elements of the exhibit which incorporate a unique 3-dimensional, 9.1 speaker set-up with a special upmix algorithm.

From the Museum of Contemporary Art Website:

David Bowie Is presents the first retrospective of the extraordinary career of David Bowie—one of the most pioneering and influential performers of our time. More than 400 objects, most from the David Bowie Archive—including handwritten lyrics, original costumes, photography, set designs, album artwork, and rare performance material from the past five decades—are brought together for the first time.

b21261aladdinsane-cropped-975x731Bowie’s work has both influenced and been influenced by wider movements in art, design, theater, and contemporary culture, and the exhibition subsequently focuses on his creative processes, shifting style, and collaborative work with diverse designers in the fields of fashion, sound, graphics, theater, and film. Multimedia installations incorporating advanced sound technology produced by Sennheiser, original animations, continuous audio accompaniment, and video installations immerse visitors in the sights and sounds of Bowie’s artistic life.David Bowie Is was organized by the Victoria and Albert Museum, London, and has embarked on an international tour with the Museum of Contemporary Art Chicago as the only US venue.

Organized chronologically, David Bowie Is traces the artist’s evolution from his years as a teenager in the 1950s to the early 2000s when he retired from touring. Before the surprise release of the 2013 album The Next Day, Bowie had not released an album since Reality in 2003. On display are more than sixty stage costumes including the Ziggy Stardust bodysuits (1972), designed by Freddie Burretti; Kansai Yamamoto’s flamboyant creations for the Aladdin Sanetour (1973); and the Union Jack coat designed by Bowie and Alexander McQueen for the Earthling album cover (1997). Bowie’s many personae are amply documented through photography, graphic designs, models of concert sets, visual excerpts from films, and live performances, including his starring role in Nicolas Roeg’s The Man Who Fell to Earth (1976) and his appearance onSaturday Night Live (1979), as well as music videos for songs such as “Boys Keep Swinging” (1979) and “Let’s Dance” (1983). Alongside such prominent examples are more personal items such as never-before-seen storyboards, handwritten set lists and lyrics, and some of Bowie’s own sketches, musical scores, and diary entries, which help reveal the evolution of his creative ideas. His chameleonic character transformations throughout the years are central to his contribution to contemporary culture and highly relevant to contemporary artists such as Cindy Sherman, Wu Tsang, Janelle Monae, and Lady Gaga.

The exhibition is accompanied by a richly illustrated catalogue edited by Victoria and Albert Museum curators Victoria Broackes and Geoffrey Marsh, which includes contributions from leading experts in musicology and cultural history and benefits from its reliance on and full access to the David Bowie Archive.

This exhibition is overseen in Chicago by Michael Darling, James W. Alsdorf Chief Curator at the Museum of Contemporary Art Chicago.

The exhibit runs from September 23-January 4.

More information: http://www2.mcachicago.org/exhibition/david-bowie-is/

10 FULL DAYSRental and live events operations at TC Furlong are in constant motion.  Here are some highlights of a recent 10 day period:

Gin Blossoms—a full monitor rig including wedges, ears, monitor engineer, and one of our venerable Yamaha PM5D consoles, plus backline for a private function (that also featured Midwest rockers Styx) at McCormick place in Chicago. “The 5D continues to be a workhorse in our console inventory,” stated project manager and Monitor Engineer Chris Wintz, “…and it was a good to work with the Blossoms again.”

Tall Tales Music Festival—a 2-day outdoor festival of American music.   We provided a full PA system including Meyer MSL4 arrayed from a Stageline roof, iPad control of QL5, LED lighting, and one of our staff engineers. Hot and steamy with a touch of rain!

Robin Thicke—a sizeable RF support package featuring Shure PSM1000, UHF-R, and Axient systems, an RF technician, and all the gadgets (spectrum analyzer, RF filters ,specialty antennas, etc.) for Robin and his band. We sent the same package (minus the RF technician) for Robin’s appearance at the Illinois State fair. Steve Whittenhall was our project manager and RF tech.  “No Miley and no “Blurred Lines” girls at this show, but with over 30 channels of Shure wireless in my coordination, we had our hands full. Wireless Workbench 6 was essential.”

Meet the Team—a full PA system and (2) staff engineers for a special event to introduce Northwestern University’s 2014 wildcat football team.

Digital Console Training—we organized and presented an intensive ½ day hands-on training session for the sound crew of a local University.

Meyer Monitoring—(6) Meyer UPA-1P flown from a circular truss for a recording session for a large local church.

Outdoor Baptism—a complete sound system (self-powered speakers on sticks, digital mixer) delivered and set-up at a mansion on Lake Michigan.

Church Fundraiser—a full sound system (MacPherson M2X, Meyer 650-P, console, wedges, inputs, staff engineers, and a portable generator) for the music stage and a special morning mass. “An already tight production schedule was stretched to the limit when the client-arranged generator didn’t pan out,” Crew Chief, Johnny Dwyer, recalls. “Fortunately, we were able get one of our portable generators from our warehouse just in time for soundcheck.”

College Orientation—another full system (Meyer MSL-4, DS-4P, and UPJ-1P mains, plus Danley wedges, Yamaha QL5 digital console w/Rio, etc.) for a large local college’s annual student orientation events.

Plus dozens of other less notable but equally important jobs.

No matter the size of your event, we have the knowledge and expertise to ensure the technical production is exceptional.

Contact one of our project managers at 847.367.9588 for help with your next event.

Shure-WX-650Wireless mics can be difficult to operate.  Venue construction, zip code, antenna distribution, antenna design, and equipment selection are all factors.

With experience and the correct tools, it can almost always be done very successfully.

Christ Church of Oakbrook has several channels of Shure ULXP in use on a weekly basis that work fairly well.  However, when they decided to do a national broadcast, they knew RF problems needed to be prevented at all costs.

Knowing the limitations of their gear, they called TC Furlong Inc. for a rock-solid solution.

Together with Larry Frisk, the church’s Audio Visual Worship Technician, we designed a system consisting of (4) Channels of Shure ULX-D and (2) Channels of Shure Axient.

“The ULXD4Q (quad receiver) and the AXT400 were both being monitored and controlled via a Shure AXT600 Wireless Spectrum Manager.  The Shure Axient system provided fail-safe performance of his 2 Star channels,” said TC Furlong Project Manager, Steve Whittenhall.  “The ULX-D offered stable, spectrum-efficient RF for the remaining channels.”

A few days before the event, we dispatched one of our Shure Axient Certified Technicians to the Church to integrate and coordinate the 6-channel system.  Armed with the rack of wireless, Professional Wireless IAS software, and an RF scanner (TTI PSA1301T RF Spectrum Analyzer 1.3GHz) our tech was able to scan the room and engage the Axient AXT600, ensuring the wireless systems were operating outside of any potential problem frequencies.

Planning, experience, hard work, and the right design for the job made this event successful.  The wireless mics never became a distraction for the tech team or the audience.

At TC Furlong, we have the tools and the knowledge to make your event perfect—from design to implementation.

If you need help with design or coordination of your venue’s wireless systems, please contact our General Manager, Jeff Cech, at 847.367.9588 or jc@tcfrurlong.com.